u2's joshua tree tour - the 2017 experience

Thirty-three years ago, I fell in love with an Irish band named U2 when I heard the songs "Bad" (still one of my two favorite U2 songs to this day!) and "Pride (In the Name of Love)." 

Two years after that, "Pride" earned me extra credit it 10th grade Social Studies as I played the song for my classmates and we discussed the political relevance of U2 and this song, focused on Martin Luther King Jr's fight for equality. 

A year after that, I wasn't able to see U2 on their new "Joshua Tree" tour at The LA Sports Arena and I was very sad (about not seeing U2; NOT about not going to the suck-ass, now-finally demolished Sports Arena). I loved that album, especially "With or Without You" (duh), and "Running to Stand Still," and the trippy, harmonica-laden "Trip Through Your Wires." 

So in January, when it was announced U2 was going to tour in honor of the album's 30th anniversary AND would play the whole album in its entirety, I was in line online day one for the Rose Bowl show with my U2 Fan Club pre-sale code! 

(Sidenote: Being a U2.com member is, seriously, the best $50 a year you can spend as a U2 fan. Not only do you get first dibs at great concert seats [see my view from this show in photos and videos below, and see my view from the U2IE tour here, and my GA ticket access to be against the railing at the foot of one of the claws on the U2360 tour here] but you get awesome subscriber gifts... usually unreleased or exclusive recordings [Edge's Picks of the Top 22 Live performances from the 360 tour, The Joshua Tree singles on Vinyl] or gorgeous prints or photo books).   

Last night I finally got to use the ticket and hear the amazing Joshua Tree album live! 

Because of the amount of people in attendance, it was recommended we arrive early, and we did.. landing in our pre-paid parking spot at around 3:45pm. People in the lots were tail-gating and having an awesome time despite the 95-degree heat, cuz U2 fans are cool like that. 

Around 5:30 we decided to go inside the stadium. The lines in the front of the Rose Bowl were HUGE, so we went around the side to Gate B and got in the security line for "people with bags," which was going to take 15-20 minutes long from my guesstimate. But just as we were about to enter the windy part of the cue, an awesome HUGE security guard told me to drink my water (in a non-allowed cup size) quick and then ushered us into the "no-bags" security line. This was the equivalent of having TSA Pre-check at LAX on a summer Friday! We breezed through, swiped my credit card for the ticket verification and were inside the gates, in the land of cocktails and merchandise stands charging $45 for an almost plain white tee ;)  

At around 6:45, the Lumineers hit the stage. They were really excited to be there, noting this was the largest crowd they'd ever performed for.

They played all their hits you know, but don't know you know, until you hear them and sounded really good. (I like any band that has a cellist!)

Then as the sun went completely down, and the temperature dropped to like 80 degrees, the pre-recorded music got louder. "Black Hole Sun" from Soundgarden played and the audience lit up, in tribute to Soundgarden lead singer Chris Cornell who passed away earlier this week on May 17th in Detroit.

Then as The Pogues' "A Rainy Night in Soho" played, a hot drummer (that would be Larry Mullen Jr. for those of you who are blind) walked down the ramp to his drumset on the "B-Stage" (aka the stage at the end of the ramp leading down into the audience), and the show started with this...

This first mini-set consisted of four songs from the pre-Joshua Tree years.

I was really hoping that, like in Vancouver and Santa Clara, song #3 would be "Bad," but alas we got "A Sort of Homecoming" (which I still lovely, but is not "Bad.")

Then they all went up to the main stage for the main part of the show... The Joshua Tree, in its entirety.

The videos on the giant screen behind the band were beautiful, many similar to the photography from the album and its videos.

Then, after "Bullet the Blue Sky," Bono paid tribute to Chris Cornell, dedicating the beautiful and sad "Running to Stand Still" to him, and sending love and prayers to the Cornell family. 

After, that, he simply said "And now welcome to Side 2.." (Those of you not alive 30 years ago have no idea what that means. Le sigh..) and they moved onto "Red Hill Mining Town."

At the end of the album, a disco ball appeared at the top of the screen's giant joshua tree above the stage...

And then we were in the post-Joshua Tree era.... 

They played four songs, all eventually working their way back to the "B-Stage" right in front of my seats.

Then after they played "One," I thought that would be it. But they played "Miss Sarajevo" and then "BAD"!! I was so happy (even though the guido in front of me kept bopping his head [to "Bad." Yes, in case you're wondering, he was very drunk.] and raising his arm into my camera shot. I almost smacked his greasy head, but contained myself. ) They don't play this song a lot.. I think the last time I heard live was one of the "Elevation Tour" shows in 2001. Enjoy...

They then said goodnight... but played one more song after that. Don't leave until the lights come up people!

All in all, this show was worth both the 30 year wait, and the pretty penny I paid for those excellent fan club seats. The band sounded AMAZING!! And the production was beautiful -- both visually and audibly. 

Here's the Full Set List:

On Tape before band came out:

• Black Hole Sun (Soundgarden) — the audience lit up with camera flashes in tribute to Chris Cornell
• A Rainy Night in Soho (The Pogues)

B-Stage 

• Sunday Bloody Sunday
• New Year's Day
• A Sort of Homecoming
• Pride (In the Name of Love)

The Joshua Tree

• Where the Streets Have No Name
• I Still Haven't Found What I'm Looking For
• With or Without You
• Bullet the Blue Sky
• Running to Stand Still (dedicated to Chris Cornell and his family)
• Red Hill Mining Town
• In God's Country
• Trip Through Your Wires
• One Tree Hill
• Exit
• Mothers of the Disappeared

Encore:

• Beautiful Day (with "City of Stars" vocal interlude)
• Elevation
• Ultraviolet (Light My Way)
• One

B-Stage

• Miss Sarajevo (Passengers cover)
• Bad
• I Will Follow ('The Little Things That Give…)

a rockin' afternoon in... thousand oaks??

Thousand Oaks is my California hometown. The first place I lived after moving here in 10th grade. The place I learned to drive a car. The place I got my first job. The place my parents still live.

Every spring, Thousand Oaks holds Conejo Valley Days. There's a chili cook-off. A 5k run. And lots of carnival rides that, as a teenager, equaled a majorly exciting weekend in boring T.O.

I haven't been to Conejo Valley Days in more than 25 years... until yesterday.

Last year, I learned after-the-fact that Chevy Metal, a cool '70s cover band led by Foo Fighters drummer Taylor Hawkins (who lives nearby) had played "CVD"... and his Foo friend Dave Grohl showed up. So this year, when I saw Chevy Metal would be playing CVD again, I convinced my Foo Fan friend Lisa to join me in the hot afternoon sun to see Taylor and his Chevy-crew, and in hopes that history would repeat itself... 

Once the techs came out and started tuning guitars, I knew it would. Dave Grohl plays very distinctive guitars, and I saw his gold Gibson being tuned. But he didn't come out right away. So then I started watching the guitars Chevy Metal's other guitarist was playing as the set went on. They played some Motley Crue, Billy Squire, Queen, Van Halen and AC/DC. (Full setlist is here.)  But the guitarist never played a gold Gibson. 

Then about 40-45 minutes into the set, Taylor started calling, "Dave. Dave. DAVE!!" And out came Dave Grohl.... with his gold Gibson guitar. Apparently he was late, and Taylor blamed him for having to switch the entire set list around. Dave said he was off winning goldfish and puking on the tilt-a-whirl. :)

They ended up playing three more covers from the Rolling Stones, Faces and then ended with David Bowie's "Under Pressure" which I love. Taylor, Dave and Chevy Metal bassist Wiley Hodgden trading vocals. Enjoy... 

(And sorry about the feedback noise. I don't know if that's because of the wind, how I was holding my phone, the fact I was situated in between Wiley's amps and two giant speakers on the side of the stage, or a combo of all three. Just don't turn this up too loud. You've been warned.) 

57th and 9th at sunset and argyle

Late last year I broke my "I'm too old for General Admission" concerts rule and bought two general admission tickets to see Sting at the teeny, tiny Palladium in Hollywood. 

Yes that Sting. Of The Police. And of STING. 

So on February 8th, my concert pal Lisa and I hit the metro to Sunset and Vine, stopped for cocktails at The Well, and then trekked across the street to look for a place near the back wall to lean against for the next few hours. 

But there was no leaning space left on the back wall, because -- when compared to most of Sting's fan base -- we're actually on the younger side ;) However, there WAS leaning space left against the security railing right to the right side OF THE STAGE. So we staked claim to our space there and there we stood for the next 3+ hours. And it was a good thing we were on time, because Sting opened the show... shocking everyone by walking out on stage with just a guitar and singing "Heading South on the Great North Road" under a single spotlight.

Then he told everyone the plan for the evening... introducing the two opening acts -- Los Bandoleros, and Joe Sumner (aka Sting's son) -- and saying he'd be back soon. And he was... playing tamborine and singing back-up for Los Bandoleros, just like he did last summer on tour with Peter Gabriel. 

The main Sting set started with "Synchronicity II" .. one of my fave Police songs / the title track of the first Police record I ever owned in 5th grade. From then on, it was awesome song after awesome song. Sting has been having so much fun on stage the last year, starting with the Peter Gabriel dual tour, and now this tour with young up-and-coming artists. And being right up front, with a great view of the man who I've been saying (for like the last 15 years) only gets better with age, didn't hurt either. Enjoy the photos...

         

The Set List: 

Heading South on the Great North Road (Sting solo acoustic before opening acts)

Synchronicity II

Spirits in the Material World

She's Too Good for Me

Englishman in New York

One Fine Day

I Can't Stop Thinking About You

Down, Down, Down

I'm So Happy I Can't Stop Crying

Pretty Young Soldier

Petrol Head

Shape of My Heart

Message in a Bottle

Ashes to Ashes (David Bowie cover) (with Joe Sumner)

50,000

Walking on the Moon

So Lonely

Desert Rose

Roxanne (with "Ain't No Sunshine" by Bill Withers snippet)

Encore:

Next to You

Every Breath You Take

Encore 2:

The Empty Chair 

rock, paper, scissors

Continuing to catch up on overdue posts, here's a quick bit about the other awesome concert I saw this summer... Sting and Peter Gabriel, together at The Hollywood Bowl, for their joint Rock, Paper Scissors tour.

I've seen Sting in concert at least nine times (twice on The Police reunion tour, the rest solo shows at lovely places like The Bowl, The Greek, and Universal Amphitheater [RIP]). Of late, he's been very experimental in his musical styles (see Symphonicities and his Broadway show The Last Ship). And while the music on this tour didn't wildly diverge from what the two artists are known for, the format of the show did ... and it was awesome!

The awesome venue, where I've seen more live concerts than anywhere else.

Both Sting and Peter Gabriel had their full bands on stage with them for the entire show. Peter's band was "The Red Team," Sting's "The Blue Team." Everyone on each team -- including Sting and Peter -- wore at least a swatch of their team color. 

They would play together at times, separately at times. Sting would sing lead on Peter's songs and vice versa. And on some songs they traded verses. 

It was a really cool way to hear songs I've been listening to since the 80s in a whole new way. It was also awesome to see Sting (who's known for being "moody") having such a blast on stage. After the first two songs, he and Peter stopped to talk to the audience and give them a little intro to the format of the show. Sting said it's the most fun he's had on tour in decades and he hoped we all had fun too. If you don't believe him.. just check out the video for "In Your Eyes" below and look on the screens for his awesome back-up singer dance moves, in unison with the female back-up singers ;)

worth the wait

So last December, I spent two hours of my life in a virtual "waiting room" on the AXS Ticketing website waiting and waiting and waiting and waiting and waiting and waiting to get let into the "room" to purchase tickets to one of six nights Adele was going to perform at Staples Center this month. 

As an LA Kings season ticket holder, and someone who as spent more money than I care to admit at Staples Center since it opened in 1999, I was more than slightly annoyed by this "waiting room" process put in place by the owners of the Kings, Staples Center and the craptastic AXS Ticket purchase site in an attempt to beat online ticket purchasing bots. 

An hour in, I actually started to hate them even more than I already hate Ticketmaster (which is a LOT). But I finally, miraculously got out of the waiting room and my max of four allowed seats popped up... in Section 314, row 8. I haven't sat in the 300 level of Staples Center since 2001. For those that haven't been to Staples Center, that's the top section of Staples Center, about 20 rows and three levels of luxury suites above my excellent Kings seats. Yes, I am a Staples Center snob. I was NOT pleased. And I now really hated AXS' ticket system more than I hated Ticketmaster (have I mentioned that is a LOT?). 

But I bought the tickets anyway, and tried for another hour to get better seats on another night. No luck. Lots of people complained on social media they couldn't get tickets at all... in addition to also proclaiming their hatred for the AXS "waiting room." So I buried my rage and downloaded my tickets and waited eight months for the concert to happen... hoping that Adele wouldn't blow out her vocal chords again and have to cancel the tour like she did on her last tour.

Well, August 10th finally arrived and here was my view from section 314... 

... and while I was very, very far away from the stage, it didn't end up mattering because Adele sounded AMAZING (of course) and the concert was AMAZING and I had a great time with my parents (who I took for their Mother's and Father's Day gifts) and my Adele fanatic-friend Daryl.

A lot of these vocal divas camp in front of a microphone and just sing. And Adele freely admitted she doesn't dance (while telling a story about why she's not performing at the next Super Bowl). But what she lacked in dance moves, she made up for with storytime... she had a story about almost every song she sang... some funny, some serious. (Fun Fact of the Night: The producers of Skyfall convinced her to do the theme song by asking her how old she was at the time. [Reminder: Her albums to date are all named after her age at the time she wrote them.] Her answer: 23. Their response: This is the 23rd Bond movie. Deal done!) 

Her fun personality won the night. She called three young girls up on stage to take a selfie with her early on after she noticed them trying to get photos of themselves with her on stage in the background, and also posing for three different photos for their three different moms' cameras. She was super-chatty (even apologizing for being so chatty) throughout the whole show. She smiled and waved to fans in between belting out lyrics. And it all just made everyone who already loved her love her more. 

This is the stage in the back of the floor that Adele first appeared on, rising up through the center at the beginning of the concert (singing "Hello..") and was lowered down below at the end of the regular set. She was smuggled under this mini stage and out from under this mini stage in a large rolling equipment case. I saw it roll in and 2 minutes later the show started, and I saw it roll out when she finished singing "Set Fire to the Rain."

The woman sitting in front of me thought I was crazy and the case wasn't big enough. Then I reminded her we were sitting four stories above said equipment case and of course it looked small from where we were. She realized I was right. (Duh.)

This is from the acoustic part of the show.. Adele performed "A Million Years Ago," "Don't You Remember" and "Make You Feel My Love" with just 2-3 musicians on strings and her amazing voice.  Beautiful.

And here are some of the videos I took to remember the amazing-ness. Enjoy! (Thank goodness for giant video screens... even if her head is half cut off because we were so far above the top of the stage  ;)

The Finale..

Here was the set list:

• Hello
• Hometown Glory
• One and Only
• Rumour Has It
• Water Under the Bridge
• Skyfall
• Million Years Ago
• Don't You Remember
• Make You Feel My Love
• Send My Love (to Your New Lover)
• Sweetest Devotion
• Chasing Pavements
• Someone Like You
• Set Fire to the Rain

Encore:

• When We Were Young
• Rolling in the Deep

bowl concert-palooza: show #3 - van halen

Last weekend I spent three of four nights (Thursday, Saturday and Sunday) at my now most-attended EVER concert venue, the historic Hollywood Bowl. 

Before and after the shows, I battled traffic, herds (yes, herds.. as in "mooo, mooove out of my way people!"), food and beverage lines so long I nearly starved one night (thanks for the organic strawberries Matt ;), and the elements of both rain and pot smoking 50 and 60-year-olds determined to relive their '80s youth via the return of "Diamond Dave." 

But between all that, I saw three awesome, completely different musical extravaganzas that pretty much sum of the range of my musical library :) 

Here's the scoop on Show #3:

October 4, 2015 -- Van Halen - Final Night of North American Tour

So I've loved Van Halen since about 1984 (the year and the album). But was too young to see them in concert then. 

By the time I was (in 1992 and again in 1995), David Lee Roth and Eddie Van Halen hated each other, and "Diamond Dave" had been replaced by Sammy Hagar singing songs with lots of synthesizers like "Dreams" and "Right Now," which I also loved. (I play no favorites between Sammy and Dave.. they were two very different singers and Van Halen is two very different, yet both great, bands depending on who is singing lead. Please note: I do however agree that the whole Gary Cherone era was a joke, even though I loved him in Extreme.)

I've always regretted not getting to see the band with the showman antics of DLR. When they last got together a few years ago, the tour was cancelled almost as soon as it started. (There were rumors of fighting, but also Eddie's health took a bad turn.) So earlier this year when they went on Jimmy Kimmel and announced they were back together again (again) and were going on tour (again), I was not optimistic. I didn't buy tickets to their two shows at the Bowl when they went on sale in March because, quite honestly, I was pretty sure the tour would be cancelled waaaaaay before October. 

However, as summer went on and they hadn't broken up yet, I started to wish I had tickets. Then one day I got (of all things) a Groupon offer for Van Halen tickets... for $35! Um, sign me up! I was even more excited when my seats that were supposed to be at the top of Bowl in section U, ended up in the middle of the Bowl in section L2. Thank you Groupon Rock Gods!

However, as the day of the show rolled around, so did these magnificent rain clouds....

And as the opening act (the amazingly awesome blues rocker Kenny Wayne Shepherd) played, a few tiny rain drops started falling on our heads.... please don't rain on my Van Halen concert I begged through social media hashtags and silent pleas to the weather gods. Miraculously, they all listened, and the sprinkles stopped and the show went on, allowing me to check "Van Halen with David Lee Roth" off of my Concert Bucket List!

The band (Eddie, Alex + Eddie's son / my fellow Kings fan Wolfgang Van Halen) sounded awesome and tight, as one of the most excellent rock guitarists and rock drummers who've been playing together for 40+ years (plus the son / nephew who got their musical genes) should.

Then there was David Lee Roth. When the crew was setting up after Kenny Wayne Shepherd, they were laying a lot of wood planks down on the stage. "What's that for?" I wondered. Well people, Diamond Dave (or "The Dean Martin of Rock-n-Roll" as my concert buddy Lisa dubbed him halfway through the show) needed a dance floor so he could slide around and "dance the night away"... in between changing his outfit about 20 times. ;) He was the true showman everyone paid to see, and even managed to replicate his high kicks from the "Panama" and "Jump" videos, at the mere age of 60! As for singing, well, let's just say he doesn't have the pipes that the previous singers on my Bowl "concert-palooza" (Simon Le Bon and Idina Menzel) have, but he probably never did, and when Eddie Van Halen is playing guitar, do you really care?

(Note: These videos aren't mine. Like at Duran Duran, I only had my camera phone. So instead of torturing you with bad video, I've found videos on YouTube from people with much better cameras and/or seats. Thanks to these people for uploading :)

Here's the set list, and then video (again, not mine) of the last three, most fun songs of the show. Enjoy! Being as this was the last show of the tour, these just may be the last songs Van Halen (with David Lee Roth) ever perform live :(

imagine a u2 concert without the edge...

If you are a U2 fan (which I am) this seems unimaginable. I can't see Bono ever hiring a session musician to "fill in" for The Edge in concert... or Adam or Larry for that matter. Probably because U2 is a BAND with all four members signed to the record contract, not just Bono and his rock god ego.

But if you are a Bon Jovi fan (which I also am) and you have tickets for the current leg of their North American tour, then this is what you are being subjected to: A Bon Jovi concert without Richie Sambora. See, Jon Bon Jovi (and his rock god ego) is the only member of Bon Jovi signed to a record contract. The other three members -- Richie, David Bryan and Tico Torres -- are his employees. It's been this way since 1984, which I've always found odd. However, now I also find it sad because this apparently means anyone but Jon is replaceable.

This also angers me because last Friday night at Staples Center I had probably the third best seats I've ever had for the who-knows-how-many Bon Jovi concerts I've been to since April 1989: 5th row on Richie's side of the stage. But Richie wasn't there. (See photo at right of Jon, that could've/should've been of Richie.)

And as I sat through almost three hours of Bon Jovi (or as I now refer to this incarnation, "75% of Bon Jovi") all I could think was, "This isn't right." "This isn't the same without Richie." and "If I'd wanted to see a Jon Bon Jovi solo concert, I would've gone to Vegas a month ago and seen him at the Hard Rock for half this ticket price."

You see, without Richie there, there is no one for Jon to perform with. He has a band playing music for him to sing to, but it's just Jon out there running around the stage. Normally it's Jon AND Richie -- the (their quote, not mine) "two brothers from another mother" -- running around together, playing to the two sides of the arena.

But on Friday, it was just Jon at center stage, with Dave and Tico behind him, glued to their respective instrument set ups. Then there was poor Hugh McDonald (who hasn't been an official band member for going on 20 years now) on bass and Bobby Bandiera (who has been playing rhythm guitar at Bon Jovi's live shows since 2005), both relegated to specific spots on the riser next to Tico and Dave. The only musician not in a delegated area of the riser behind Jon was Phil X, the Richie Sambora fill-in, who, while an excellent guitar player, is not Richie Sambora. And -- probably smartly given the situation he's been placed in -- stayed pretty much glued in place too, in front of Tico's drums.

Now, I'm not saying it wasn't a good concert. It was. It just wasn't the Bon Jovi concert I've come to love attending over the last 24 years since I first saw them live at The Forum on The Jersey Syndicate tour, three days before Jon and Dorothea eloped to Vegas. (Yes, I remember that fact. It was very traumatizing to my teen-self at the time :P)

As he always does, Jon worked his 51-year-old ass off Friday at Staples. He even looked close to bursting a blood vessel in his neck while trying to hit the high notes on Always during the second encore. But Richie's presence was noticeably absent, especially on songs I love like Born to Be My Baby, Livin' on a Prayer, and -- of course -- Wanted Dead or Alive, where his backing vocals are engrained in my brain as essential parts of the songs. 

The only song I didn't miss him on was "Bed of Roses," because that's the song Jon came out on the catwalk for and ended up standing right in front of me to sing. It was awesome. Don't believe me? Click play below. I had awesome seats. (And yes, that is my video on YouTube.)

 

But once that song was over, and Jon started singing "I'll Be There For You" my sadness returned --  Richie normally sings that song in concert to give Jon a vocal break. (And he actually sings it better than Jon these days. Witness Richie's solo concert at the Fonda Theatre in Hollywood last November. Yeah, I had a good spot for that one too ;)



Whatever "personal issues" are keeping Richie from performing with the band -- rumors range from him falling off the wagon (which I don't really believe), to Richie being ticked at Jon for telling him to stop promoting his solo album now that the new Bon Jovi album is out (which seems more likely to me) --  need to get worked out... and quickly.

Jon told the first audience to miss Richie in Calgary that he had two choices upon learning three hours before showtime that Richie wasn't going to be there (which makes the "Richie's ticked at Jon" theory more plausible): postpone the show or play with a fill-in guitarist. He chose to play. 

As a fan of the BAND, I kinda wish he had chosen to postpone.

That puts more pressure on whoever is having "issues" to get said issues resolved as quickly as possible. (Of course that assumes the issues are actually one of the two rumored issues above and not something else that's entirely out of anyone's control, which is also totally possible.) It also doesn't punish fans who believe Bon Jovi is more than Jon and his rock god-self. I know it's obviously much harder to replace a singer/frontman, but U2 postponed their tour for a year when Bono had his back injury. Just sayin'... 

Okay, I'm done venting... for now.

PS: Here's the setlist from the 75% of Bon Jovi concert at Staples Center on April 19th. Note: They only played three songs off the new album. Just sayin'...

1. That's What the Water Made Me (What About Now)
2. You Give Love a Bad Name (Slippery When Wet)
3. Born to Be My Baby (New Jersey)
4. Raise Your Hands (Slippery When Wet)
5. Lost Highway (Lost Highway)
6. Whole Lot Of Leavin’ (Lost Highway)
7. It’s My Life (Crush)
8. Because We Can (What About Now)
9. What About Now (What About Now)
10. Work For The Working Man (The Circle)
11. We Got It Going On (Lost Highway)
12. Keep The Faith (Keep The Faith)
13. (You Want to ) Make A Memory (Lost Highway)
14. Bed Of Roses (Keep The Faith)
15. I’ll Be There For You (New Jersey)
16. Have A Nice Day (Have A Nice Day)
17. We Weren’t Born To Follow (The Circle)
18. Who Says You Can’t Go Home (Have A Nice Day)
19. I'll Sleep When I’m Dead w/ Start Me Up (Keep The Faith/cover)
20. Bad Medicine (New Jersey)


Encore #1


21. Dry County (Keep The Faith)
22. Wanted Dead or Alive (Slippery When Wet)
23. Livin’ on a Prayer (Slippery When Wet)
24. Someday I’ll Be Saturday Night (Crossroads)


Encore #2


25. Always (Crossroads)
26. Treat Her Right (cover)